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We even did some picture correction on the HD to make it look more like 35mm film that we used on the series. “They had to pull out an old Xerox machine to get the pencil line quality to match what we did in the 90s.
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“The Korean studio we worked with had one of the original directors who worked on the original Rocko, so he became our director,” he continues.
#ROCKO MODERN LIFE JOB MOVIE#
We didn’t reboot anything, except to turn Really Really Big Man into a modern Marvel Movie character for a spoof on superhero movies.” Cosmo Segurson, my co-director, was as meticulous as I was, if not more so, being careful to match everything the way we did it. We pulled old backgrounds from archives and worked with the designers to impart that same feel on everything. From a design standpoint, we did our best to replicate everything we did previously. Martin dyes to doing hand-drawn pencil animation. “We worked really hard to replicate the way the show was done in the 90s, from hand painting the backgrounds with Dr. “We had a pretty good-sized team, with a couple of people who worked on the original Rocko and a lot of crew who grew up on Rocko,” he shares. Even so, I think we hit a lot of great stuff.”Īs far as the production itself, Murray notes that his production team took extra care to follow the style and tone of the original series, down to how they colored the backgrounds. We had a whole scene with Chokey Chicken poking fun at the ‘Tender Greens’ organic, happy chicken food phase we’re going through right now, where eating well can sound so trendy.
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“There were a lot of directions we could go in, but I felt we hit the important ones. With 20 years of recent history to riff on, Murray hand ample and fertile comedic and cultural ground to work with for the special “There was definitely a lot of material to work with, as far as a satirical take on the present day,” he explains. The whole idea of Rocko trying to bring his favorite cartoon back after being off the air for 20 years seemed like a great mirror and a lot of fun to do.” The special really took off after that, with ‘changes’ from the 20-year span becoming the main topic of the story. But the fact that the last episode we did in the 90s had Rocko, Heffer and Filburt blasting off into space, I thought it would be perfect that they come back to O-Town after being gone for 20 years. I wasn’t too hot on the idea,” he shares. “When Nickelodeon contacted me to float the idea of bringing Rocko back for a special. When first approached by Nickelodeon to revisit his beloved cartoon wallaby, Murray hesitated. Where garbage day or laundry day can be a very dangerous day.” When I developed a show about modern life, I wanted an everyman who deals with life in a very satirical and caricatured way… the eye of the hurricane where everything is going on around him. Influenced by everything from old Looney Tunes cartoons to underground comics, Murray, who worked as a political cartoonist early in his career, made several short animated films in the 1980s, as well as two MTV IDs, before creating My Dog Zero, a 1992 short that generated network interest, which along with one of his unpublished comics, eventually led to Rocko’s development.Īccording to Murrary, “Rocko was a character I had played with in comic strip form.
#ROCKO MODERN LIFE JOB SERIES#
The series boasted a crew of creative talent that included many well-known names in TV animation, including Murray, who went on to create Camp Lazlo! and Let’s Go Luna, creative director Stephen Hillenburg, who left to create SpongeBob SquarePants, Jeff Marsh, a storyboard artist who went on to create Phineas and Ferb, and voice actors Tom Kenny, Charlie Adler and Carlos Alazraqui. Greenlight by then Nick development head Linda Simensky and launched as the fourth new Nicktoon series back in 1993, the 52-episode Rocko’s Modern Life became a fan favorite though often controversial show, known for its wink-wink sexual inuendo and sometimes crass character behavior. After being in space for 20 years, Rocko and his friends attempt to conform to an even more modern life in O-Town, where coffee shops are on every corner, food trucks offer multi-layered tacos, touch-screen O-Phones are being upgraded on a near-constant basis, an instant-print kiosk has replaced Rocko's old job at Kind-of-a-Lot-O-Comics, and radioactive energy drinks turn their consumers into mutants. With today’s Netflix release of Nickelodeon’s Rocko’s Modern Life: Static Cling, creator Joe Murray once again visits the zany lives of his timid wallaby, Rocko, and best friends Heffer Wolfe and Filburt, in a raucous 45-minute animated special sure to delight fans of classic, gag-driven animation.